Munzie Thind joined GCRS, just a year
after launch, in 1995. Since then, he has
been responsible for critically acclaimed
work such as BBC Music’s ‘God Only Knows’
music video and Lucozade’s ‘The Wild Ones’
spot. Career highlights include giving Elvis
a voice in ‘The Amazing Line Up’ spot for
BBC Radio 2 – winner of six major creative
awards. More recently, Munzie undertook
extensive research into the sensory sensitivity
challenges faced by people with autism, to
create the authentic and powerful soundscape
for the National Autistic Society ‘Sensory
Overload’ film, for which he has won a Bronze
for Sound Design at the 2014 Clio Awards.


Since joining GCRS in 2004, Ben has worked 
with the cream of the creative industry, both in the UK 
and internationally, on campaigns for brands such 
as BMW, Sky, T-Mobile (EE), Nike, O2, Ford, 
Kellogg’s and McDonald’s. His stand-out commercials 
include the ground-breaking ‘Welcome Back’ commercial 
for T-Mobile and the incredibly effective British Heart 
Foundation ‘Hard and Fast’ film, starring Vinnie Jones.
More recently, Ben created the sound design mix for 
BMW ‘Wolf’, the UK’s first ever commercial in Dolby Atmos, 
and worked with original WWI-era recordings and texts 
to create the critically acclaimed Imperial War Museum 
‘Flight of the Stories’ spot.


GCRS founding partner Raja is undoubtedly
one of the UK’s best ever sound designers, 
and the man who creativity authority Shots
described as: “Audio auteur. Continuously in
demand, designing the future.”He’s been
responsible for delivering audio excellence
to some of the world’s most acclaimed ads,
including Nike: Write the Future and Jaguar:
Rendezvous, as well as sprinkling his magic on
campaigns for leading brands such as Heineken, 
FIFA, Axe and booking.com. During his career, 
Raja’s work has been nominated for, or won,
every major creativity award in the world and
he has had the honour of being awarded gold
at every UK festival.


Steve is fast gaining a reputation for
creative and atmospheric sound design,
working on campaigns for brands as
diverse as Adidas, Sony, Ford, Dominos, 
Plusnet and Cobra. Steve’s trademark
skill is perfectly illustrated by his work
on ‘Presence Redefined’, a campaign 
for the Audi A7 Sportback and CRY
(Cardiac Risk in the Young), two pieces
of work, of which he is particularly proud.


Culum joined GCRS in 2016, bringing a 
stellar track record with him after an 
unusually rapid rise to success gaining 
three major sound awards in his first year 
as a sound designer alone. Over the last 
three years’ Culum has worked on 
campaigns for the likes of Dove, Gemfields, 
Google, Pepsi, PETA and the Royal Navy. 
He has received notable critical acclaim 
along the way, winning gold for sound design 
at the Creative Circle Awards in 2015, and in 
2016 his work on the National Autistic Society's 
Too Much Information campaign was awarded 
silver and bronze for sound design at the shots 
awards and Eurobest respectively. Before moving 
into sound design, Culum worked as an actor, 
played in a band and ran his own rehearsal 
studios – a range of experiences which he feels 
has contributed to his skill and creativity in 
sound design.


One of the brightest young sound talents in 
the UK today, Tom’s big break came when he created 
the sound design for the NSPCC’s Childline campaign, 
“It Follows Me Around” - a powerful piece of work that 
picked up many awards, including two gold British 
Arrows and a Cannes Lion, and propelled Tom onto 
the international stage. Since then, as well as creating 
sound design for brands such as Nicotinell and Alpari, 
he has worked along side Raja Sehgal on helping 
create the epic soundtracks for brands such as 
Booking.com, Jaguar and FIFA14.


Aaron Taffel joined the transfer bay team at
Grand Central Recording Studios (GCRS) in 2013. 
Since that time he has worked his way up the
ranks to sound designer, assisting and working
with agencies such as Wieden+Kennedy, BBH,
Saatchi and Saatchi and Grey. One of his first jobs
at GCRS was to create the sound design for
award-winning short film ‘The Voice in the Head’. 
Another memorable project was the charity
film he worked on for the Nepal Youth Foundation
to raise funds following the 2015 earthquake.
Aaron spent two years living in India, in the
Himalayas, so the project was one he connected
with on a personal level.